a participatory performative installation,
a poetic act of procreation,
an intimate piece that relates to presence, proximity and propagation.
A metaphor for pregnancy as a form of transmission,
with its own potentiality and the unpredictability of its outcome.

For 10 days –5 hours per day– I shared my bed with complete strangers, asking each other questions about the mark we leave in life, about the way we live and the way we behave.

A peep show, in which the audience can choose to either enter and be participants or stay outside and be spectators, looking through one of the three cameras obscuras installed on the walls that point to the inside of the room.

P^∞ (2016): commissioned by Wiener Festwochen as part of Fyodor’s Performance Carousel. Curators: Fyodor Pavlov-Andreevich, Margarita Osepyan and Felicitas Thun-Hohenstein

Documentation by Ilya Pusenkoff.